Double negative
I have visited to the
double negative studio to learn and see how the people work in a real
studio.
Double negative started in 1998 with a team
of 30. It opened in Singapore in 2009 and in Vancouver 2014.
During the production of Godzilla and interstellar the
studio worked with scientists. I really never thought that a studio would
get real scientist to work with them on these two films. From
this the team will experience how it feels like to work with scientist
Thor was massive for them because they meant to do only 300
shots but they ended up doing more than 1000 shots
These are things that I learnt from the visit:
In production now
In Terminator-they made Arnold Schwarzenegger look younger
and its a big film for them
Avengers
Ant man
Batman vs Superman
Specter
Running positions currently at Double Negative
Roto-computer
Match-move- generalist
Production assistant- producer
Editorial assistant-Editor
Pipeline td-programmer
2d artist -roto
3d artist- match-move
Through training you will gain understanding of taking part
in the processes used in the studio.
How to apply to Double Negative
Covering letter
CV
Link to your show reel
Show reel breakdown
Apply at www.dneg.com
Key points for showreel
Length-no more than 2 mins
Breakdown-show us how you did it
Type of work-don't over complicate put strongest work
2d-show some roto
3d-show some match-move
Double Negatives ethos & what they care about
Their people
Focus on career development for artist
Dedicated 2d and 3d trainers
Non-departmentalized
Work life balance
Life at dneg
Beer and pizza
Monthlies
DnFEST
Football team
Film club
By visiting Double Negative I have learnt and saw
with my own eyes how people work in a real animation company. I have also
learnt that how friendly their staff are. The problem
with Double negative is that the rooms are too small and I think it’s
really hard to work and focus. The main reason why I didn't like Double negative
because no matter what you are and what your good at first you have to a
runner. I think that's really bad because you can't do what you
really want to do. Being a runner is okay but not for the people who are really
good because as a runner your going to waste at least 3 to 4 years
and you will get less paid I would rather work on some
other company where I can do my role and also show my skills.
From this I will learn and get so
much experience. By visiting the studio I really didn't
learn anything because we were not allowed to see the people working. I was
very nervous when I was inside the studio because I had no idea what they
do. I think it would be better to get an internship in a studio to
gain valuable experience.
Blue-Zoo is an award winning UK based computer
animation studio. Founded in 2000 by Tom Box, Oli Hyatt, Adam Shaw and Nic
Sims, it mainly produces content for TV broadcast. It is most well known for
creating the children's animation series Blue Cow as part of
the BBC series.
My visit to Blue-Zoo was fantastic and I really
enjoyed every seconds I spent there because I learnt so much things that I
didn't know prior to the visit. Blue Cow is
a cartoon cow created by Blue-Zoo. She appears on
the BBC children's television series The Story Maker. At first
when I watched Blue cow I thought it's 2D but then when I went
Blue-Zoo I found out that it was 3D. Blue-Zoo uses Maya a lot for their
projects. For this they have used image plane and that's why it looks more
like 2D.
When I was inside the studio I really felt that
I was welcomed because the founder of Blue-Zoo was showing us everything and
explaining the things that we don't know. This shows how much he cares about
the studio and the people. The founder of Blue-Zoo was introducing us to every
member who works there and we could ask the real animators any questions we
have. All the people were friendly and nice I really felt like I would love to
be able to work for them.
Miffy is a small female rabbit in a series
of picture books/drawn and written by Dutch artist Dick Bruna.
The first Miffy book was produced in 1955, and almost 30 others
have followed. In total they have sold over 85 million copies, and led to two
separate television series as well as items such as clothes and toys featuring
the character.
Blue-Zoo are working on a series Miffy at the
moment. When I was inside the studio I saw one guy was storyboarding Miffy
using a graphic tablet on Photoshop. By watching him storyboarding I have
learnt and noticed that he was drawing quickly then after he was putting more details.
The point of this is that you get the basic right then you can do the hard
parts after. It was good to see that we are learning industry standard software
that is widely used in the industry and they even use graphic tablets that we use.
It was helpful to see everything within a studio-based context.
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